As the moon holds the sun’s gaze
Group Show
30 January – 21 February 2026
Belinda Whitta, Kaia Waite, Kieran Trainor and Sage Rossie-Tong
Twentysix Gallery is pleased to present our first exhibition of 2026, ‘As the moon holds the sun's gaze’, a group show featuring new works by Belinda Whitta, Kaia Waite, Kieran Trainor and Sage Rossie-Tong. Their practices form a web of relationality that traces light and shadow, ancestry, identity and ecological rhythms – reflecting what is revealed, what remains hidden, and how we care for both.
Belinda’s work draws from ancestral sites as spaces of knowledge that is felt, inherited, and gently carried. Through analogue photographic processes, her practice attends to what resists visibility. Darkness, or the unknown, is not absence, but a vessel – an elder space where memory, ritual and abundance gathers. This reverence flows into Kaia’s practice, where laser-etched wood is engraved, filled and sanded back to a place of cyclical return. Working with personal taonga, Kaia’s practice is grounded in whakapapa and pūrākau, carefully negotiating what is shared and what is protected.
Kieran’s practice moves fluidly across disciplines, following a path of light that stretches across bodies, land, and time. Painting becomes an embodied act of sensing how light transforms all it touches – offering warmth and connection while marking thresholds of care. Sage’s intricate chainmail web draws all of these threads together. Both home and battleground, the web becomes a site of creation, nourishment and death. Rooted in queer methodologies, Sage’s practice asks us to sit with our own entanglements and how we inhabit, intervene, and remain accountable to the ecosystems we are part of.
‘As the moon holds the sun's gaze’ expands outward – river and well, light and dark, past and present – allowing multiple truths to coexist. Meaning is not carried by a single narrative, but by the strength of the web itself. Through this collaboration, an exhibition has emerged that is slow and porous – reflecting on what it means to collectively tend, witness, and hold what is visible and what remains in shadow.
INSTALLATION VIEWS
ARTWORKS
Kaia Waite
Birch, wood filler, spray paint, mica powder, pāua shell
795 x 365 mm
$1450
Belinda Whitta
Darkroom print
Recycled oak frame with AR70 glass
345 x 395 mm
Edition of 4
$850
Sage Rossie-Tong
Beech, Linden, Eucalyptus, canvas, eyelets, PVA wood glue, wool, reinforced felt, polyester thread
560 x 660 mm
$1150
Sage Rossie-Tong
Ecosolvent ink on 3M180 vinyl, matte laminate, ACM, Aluminium, stainless steel
400 x 60 x 600 mm
$1650
Belinda Whitta
Darkroom print
Recycled oak frame with AR70 glass
465 x 540 mm
Edition of 4
$950
Sage Rossie-Tong
Cotton, linen, polyester, water based textile ink
2100 x 120 x 420 mm
$2350
Unavailable
Belinda Whitta
Darkroom print
Recycled oak frame with AR70 glass
345 x 395 mm
Edition of 4
$850
Sage Rossie-Tong
Framed Inkjet print on smooth satin 280gsm paper
430 x 630 mm
$800
Belinda Whitta
Darkroom print
Recycled oak frame with AR70 glass
400 x 500 mm
Edition of 4
$750
Kieran Trainor
Oil on canvas
605 x 750 mm
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